Tag Archives: Pop Music

FROM THE CREATOR OF THIS BLOG – A NEW PROJECT!

I’d like to invite the followers of this blog to check out my new project – a new podcast entitled The Perfect Podcast. The Perfect Podcast celebrates the highest achievements in music, film, literature, food, visual arts and more! In each episode I talk to a different person about the creations they believe achieve perfection. From the perfect short story to the perfect music video to the perfect cocktail to the perfect skyscraper – the show explores and celebrates the artists who have achieved the elusive, intimidating, confounding and 100% subjective state of . . . Perfection!

http://www.theperfectpod.com/

I plan to tackle some of the subjects I’ve covered in this blog. I definitely think Prince has created a couple of perfect albums, Michael Jackson has created some perfect songs, Madonna and Janet Jackson have starred in a few perfect music videos and Annie Lennox has turned in some perfect vocal performances. I’d love to hear from you about what you think is perfect or ideal in pop culture. Please visit my website and leave a comment and let me know. Thank for checking this out. Enjoy!

http://www.theperfectpod.com/

 

Prince

So much to say, but no words can describe. If you’ve read this blog you know how much Prince’s music has meant to me over the past 30 + years. I recorded a special tribute to his music on my podcast. Take a listen and remember and celebrate the iconic artist with me.

Michael Jackson’s Off the Wall

Michael Jackson released Off the Wall in August 1979. The album’s influence would stretch across the 80’s, 90’s and beyond and become a pop/R&B classic. Last month filmmaker Spike Lee released the documentary  Michael Jackson’s Journey from Motown to Off the Wall. On this episode of Inside Pop we review the movie and test our knowledge of Jackson trivia. It’s a fun episode in which my co-host, our special guest and I let our Jackson fan flag wave!

Inside Pop on Itunes

https://itunes.apple.com/us/podcast/episode-17-spike-lees-michael/id1056867859?i=363210749&mt=2

 

Inside Pop on Soundcloud

Who Gets To Play Michael Jackson?

Readers of this blog know how I feel about Michael Jackson (in a nutshell – no other musician’s music has meant more to me). So you may be wondering how I felt when I heard that Joseph Fiennes was cast to play Jackson in a TV production about the alleged road trip Michael took with Liz Taylor and Marlon Brando in the wake of the 9/11 attack on New York City. Initially I felt bemused, but the more I thought about it the angrier and more suspicious I became. Yes Michael’s appearance drastically changed over the years. Beginning in the early 80’s and over the next few decades his nose narrowed, his skin lightened and his hair straightened. How much of that change was an act of self hatred? Necessary reinvention? An unfortunate pigmentation disorder? We’re all allowed to conjecture. But casting a white British actor to portray MJ feels like an intentionally blunt way to deal with the world’s most famous – and most complicated – Black entertainer.

And in the current climate where much needed and long awaited conversations about the need for increased diversity in the entertainment industry are finally happening this casting feels additionally insensitive. This isn’t color blind casting. It’s completely conscious – and in my opinion – clueless.

We touch on the controversy in the latest episode of my pocast. Feel free to click below to hear the discussion. Within the episode I also recommend a take on the Jackson, Taylor, Brando road trip that is respectful, moving and yes – even humorous.

Inside Pop On Soundcloud

Inside Pop on Itunes

Inside Pop on Stitcher

 

THE REVOLUTION (AND PRINCE)

Ok readers – it’s time for a Pop Quiz. Ready?

The phenomenal 80s albums Purple Rain, Parade and Around the World in a Day were recorded by whom?

If your answer is ‘Prince,’ then please head to the back of the class and receive five demerits.

The correct answer is Prince and the Revolution.Prince and The Revolution poster

Without a doubt Prince, the solo artist, is a musical GENIUS. But together with his band, his genius expands. In 1984, the multi-racial, sexually ambiguous, mysteriously cool group of men and women known as The Revolution represented a musical and social utopia. It’s a powerful thing to see oneself represented on TV and film and whether you were male or female, black or white, straight or gay –  or somewhere in between – you could see a cooler version of yourself reflected in the band’s line-up.

Every time I saw Purple Rain (at least 3 times that summer) , watched one of The Revolution’s videos (dozens of times) or stared at their album’s liner notes (100s of hours) I thought, “this is how the world should be; filled with a diverse group of exquisitely talented musicians – with a penchant for paisley.”

Wendy and lisa and princeI have and always will be partial to Wendy and Lisa. The fact that these two extraordinary musicians also happened to be impossibly cool, sexy women was enough to captivate me. But once I heard the opening of “Computer Blue” I was obsessed with their narrative and needed the answers to many questions.

What is the exact water temperature Wendy likes? We’re talking bath water, right? And I’m pretty sure I have a general idea of what’s about to ‘begin’ – but I wouldn’t mind details.

Wendy and LisaAs a feminist I can’t applaud the fact that Prince seemed to use the Wendy & Lisa lesbian fantasy solely for male titillation. But the fact that Wendy Melvoin and Lisa Coleman had a committed, years long romantic relationship and an even longer professional partnership (that continues today) makes me think of them as two of the most important LGBT individuals in pop history.

But first and foremost I think of them as musicians. Wendy and Lisa, along with Brown Mark and Doc Fink and Bobby Z and Prince came together to form my favorite band of 1984.

I’ve seen Prince and The Revolution perform twice in concert (two life changing, transcendent experiences!). The last time was in ’85 or ’86 and the show featured the expanded line-up that included Susannah Melvoin, Eric Leeds and Jerome (from The Family) and Sheila E. Towards the end of the show Prince injured himself on stage and exited. The Revolution must have jammed for about 10-15 minutes and they commanded the attention of every person in the audience at Madison Square Garden. I think everyone realized they were witnessing something rare and wonderful.PATR Stage

What most of the fans probably didn’t know was the band was going to break up after the tour. A great band doesn’t last forever but I wish we would have been able to get one or two more albums from them. Sign O the Times is a perfect record – but I can’t help wondering what it would have sounded like if Prince had collaborated with Wendy and Lisa and the rest of The Revolution.

But we’re lucky to have 3 albums  – the greatest being Purple Rain. Throughout this month we’re going to celebrate the 30th anniversary of this record (including those amazing B Sides!)

Shall We Begin?

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Listening to When Doves Cry for the First Time

AND WE’RE BACK!

The blog’s brief hiatus has come to an end and will be back this month with a vengeance! I will continue to celebrate the music of the great (greatest) year of pop music – 1984 via the blog’s regular features as well as some special posts.

Coming soon – we’re going to celebrate the music of Bruce Springsteen, Janet Jackson, Frankie Goes to Hollywood, Huey Lewis, Madonna, Tina Turner, Eurythmics, Stevie Wonder, U2 and many, many more!

And August is Prince month on 1984 (For the Love of Pop’s Greatest Year). I’m honoring the 30th anniversary of Purple Rain with special posts and special guests.

I love chatting (obsessing) with people about their love of music from ’84 – so please let me know if there’s a song, album or artist you’d like to discuss with me on the blog.

 

NUMBER 1 – STATE OF SHOCK: THE BEST MICHAEL JACKSON SONG OF 1984

And the greatest Michael Jackson song of 1984 is . . . “State of Shock” by Michael Jackson and Mick Jagger!

spotify:track:1sLTxLJzyoBJiPzv420KAx

Just like the number three song on this countdown, “Say Say Say,” this song represents the collaboration of musical giants. The lead singer of the JACKSON 5 teams up with the lead singer of THE ROLLING STONES! This was the pop music equivalent of the comic book team-ups I loved as a kid – – – The Justice League Versus The Avengers! Superman Versus Thor! Those graphic mash-ups would always begin with a battle and, as a reader, you’d make a prediction and choose sides. Who was faster? Who was stronger? Who would win? The same thing happened when it was announced Michael and Mick had teamed up. Everyone immediately wondered which super star would out-sing/out-perform the other.

In 1984 I was clearly on Michael’s side. I had loved Michael ever since both he and I were kids. In the early 70’s he had me at having his own cartoon and singing the theme to the great killer rat with a heart of gold movie, Ben. In the late 70’s I listened in awe as older cousins played Off The Wall at family gatherings. And Thriller’s release was perfectly timed with my teenage years. This was the time I emerged as a true music fan and suddenly I was in control of my passion for music.  I was able to buy my own records and choose my favorite artists. And I chose Michael.

State of ShockSpeaking of teenage Sean, if you were to travel back in time and let him know that grown up blogging Sean chose “State of Shock” as the best MJ release of 1984 he would probably be appalled. I liked this song when it came out (because I liked everything Michael produced) but I didn’t LOVE it the way I loved Michael’s other music. I thought “State of Shock” was way too simplistic. I missed Quincy Jones’ slick, layered production.  The song felt repetitive and the lyrics felt childish (“She put me on my knees/please baby please” – oh please). I remember wondering if this was Michael phoning it in, but immediately pushed that thought to the back of my mind. I reminded myself that one could never accuse Michael of phoning it in.

But maybe Mick?

Mick and MichaelBut as I chose records for this countdown and rediscovered this song I had a bit of a revelation. The first time I re-listened to it earlier this month I was pleasantly surprised by how much I liked it. After a few repeated listens (with the volume turned way up) I realized I absolutely loved this song and that it would best “Say, Say Say,” “Somebody’s Watching Me,” and “Farewell My Summer Love” to become my favorite Jackson release of 1984.  Today, “State of Shock” no longer sounds to me like two legends phoning it in. Now it sounds like an ode to the early rock n roll songs that are the basis for every pop song played on the radio. It’s the sound Jagger and The Rolling Stones attempted to emulate throughout their career and the sound Michael was weaned on. I think the ‘call and response’ and simple chord progression is their worthy homage to James Brown and Little Richard and Chuck Berry and Carl Perkins.

Today I listen to “State of Shock” and I hear Michael getting ready to write “Dirty Diana”. I hear two superstars having FUN on a record (“I need mouth to mouth resuscitation” – ha!). I listen to “State of Shock” and I realize I’m still fascinated by the last 15 seconds which qualifies as the strangest ending of any song sung by two heterosexual (no eye rolls) male singers. Mick lowers his register and turns up the sex while chanting, “look at me, look at me . . . .’ over and over until finally Michael emits what I can only describe as an orgasmic squeal. Ladies and gentleman – I can only hope that at some point in your lives you’ve had the good fortune to have made a similar noise. But I will say that I remain as puzzled today as I was in 1984 about the narrative of those last few seconds of the song. Are they singing to the same girl? Or to each other?

If you have any theories – please share them with me in the comments.

Cutie Pie, author of the great Michael Jackson blog All Things Michael!  informed me that this song was originally a duet between Michael and Freddie Mercury – but sadly, because of scheduling conflicts, they were never able to finish it. I think a completed duet AND music video from Michael and Freddie would have been a gift!

For Cutie Pie – this song wasn’t a slow burn – she liked it immediately. “I really love this song! It’s so fun and energizing! It’s one of those songs that makes me happy . . . Michael’s versatility as an artist was amazing as proven on this song. He went from bubble gum soul, to R & B, rock, classical, even experimented with a little gospel feel. You name it, he did it. I can almost “hear” Michael dancing his heart out while recording it.”

Just the Facts: “State of Shock” went to Number 3 on the US Billboard Hot 100 charts. According to the record’s sound engineer, Michael made Mick Jagger do vocal scales for over an hour before they started to record.

Favorite Moment: Those last 20 seconds! It is simultaneously the sexiest and most sexually confusing moment on any song I’ve ever heard.

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#2 – Centipede

#3 – Say Say Say

#4 – Tell Me I’m Not Dreamin’ (Too Good To Be True)

#5 – Farewell My Summer Love

#6 – Somebody’s Watching Me

Michael Jackson at his best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2