Tag Archives: king of pop

Michael Jackson’s Off the Wall

Michael Jackson released Off the Wall in August 1979. The album’s influence would stretch across the 80’s, 90’s and beyond and become a pop/R&B classic. Last month filmmaker Spike Lee released the documentary  Michael Jackson’s Journey from Motown to Off the Wall. On this episode of Inside Pop we review the movie and test our knowledge of Jackson trivia. It’s a fun episode in which my co-host, our special guest and I let our Jackson fan flag wave!

Inside Pop on Itunes

https://itunes.apple.com/us/podcast/episode-17-spike-lees-michael/id1056867859?i=363210749&mt=2

 

Inside Pop on Soundcloud

NUMBER 1 – STATE OF SHOCK: THE BEST MICHAEL JACKSON SONG OF 1984

And the greatest Michael Jackson song of 1984 is . . . “State of Shock” by Michael Jackson and Mick Jagger!

spotify:track:1sLTxLJzyoBJiPzv420KAx

Just like the number three song on this countdown, “Say Say Say,” this song represents the collaboration of musical giants. The lead singer of the JACKSON 5 teams up with the lead singer of THE ROLLING STONES! This was the pop music equivalent of the comic book team-ups I loved as a kid – – – The Justice League Versus The Avengers! Superman Versus Thor! Those graphic mash-ups would always begin with a battle and, as a reader, you’d make a prediction and choose sides. Who was faster? Who was stronger? Who would win? The same thing happened when it was announced Michael and Mick had teamed up. Everyone immediately wondered which super star would out-sing/out-perform the other.

In 1984 I was clearly on Michael’s side. I had loved Michael ever since both he and I were kids. In the early 70’s he had me at having his own cartoon and singing the theme to the great killer rat with a heart of gold movie, Ben. In the late 70’s I listened in awe as older cousins played Off The Wall at family gatherings. And Thriller’s release was perfectly timed with my teenage years. This was the time I emerged as a true music fan and suddenly I was in control of my passion for music.  I was able to buy my own records and choose my favorite artists. And I chose Michael.

State of ShockSpeaking of teenage Sean, if you were to travel back in time and let him know that grown up blogging Sean chose “State of Shock” as the best MJ release of 1984 he would probably be appalled. I liked this song when it came out (because I liked everything Michael produced) but I didn’t LOVE it the way I loved Michael’s other music. I thought “State of Shock” was way too simplistic. I missed Quincy Jones’ slick, layered production.  The song felt repetitive and the lyrics felt childish (“She put me on my knees/please baby please” – oh please). I remember wondering if this was Michael phoning it in, but immediately pushed that thought to the back of my mind. I reminded myself that one could never accuse Michael of phoning it in.

But maybe Mick?

Mick and MichaelBut as I chose records for this countdown and rediscovered this song I had a bit of a revelation. The first time I re-listened to it earlier this month I was pleasantly surprised by how much I liked it. After a few repeated listens (with the volume turned way up) I realized I absolutely loved this song and that it would best “Say, Say Say,” “Somebody’s Watching Me,” and “Farewell My Summer Love” to become my favorite Jackson release of 1984.  Today, “State of Shock” no longer sounds to me like two legends phoning it in. Now it sounds like an ode to the early rock n roll songs that are the basis for every pop song played on the radio. It’s the sound Jagger and The Rolling Stones attempted to emulate throughout their career and the sound Michael was weaned on. I think the ‘call and response’ and simple chord progression is their worthy homage to James Brown and Little Richard and Chuck Berry and Carl Perkins.

Today I listen to “State of Shock” and I hear Michael getting ready to write “Dirty Diana”. I hear two superstars having FUN on a record (“I need mouth to mouth resuscitation” – ha!). I listen to “State of Shock” and I realize I’m still fascinated by the last 15 seconds which qualifies as the strangest ending of any song sung by two heterosexual (no eye rolls) male singers. Mick lowers his register and turns up the sex while chanting, “look at me, look at me . . . .’ over and over until finally Michael emits what I can only describe as an orgasmic squeal. Ladies and gentleman – I can only hope that at some point in your lives you’ve had the good fortune to have made a similar noise. But I will say that I remain as puzzled today as I was in 1984 about the narrative of those last few seconds of the song. Are they singing to the same girl? Or to each other?

If you have any theories – please share them with me in the comments.

Cutie Pie, author of the great Michael Jackson blog All Things Michael!  informed me that this song was originally a duet between Michael and Freddie Mercury – but sadly, because of scheduling conflicts, they were never able to finish it. I think a completed duet AND music video from Michael and Freddie would have been a gift!

For Cutie Pie – this song wasn’t a slow burn – she liked it immediately. “I really love this song! It’s so fun and energizing! It’s one of those songs that makes me happy . . . Michael’s versatility as an artist was amazing as proven on this song. He went from bubble gum soul, to R & B, rock, classical, even experimented with a little gospel feel. You name it, he did it. I can almost “hear” Michael dancing his heart out while recording it.”

Just the Facts: “State of Shock” went to Number 3 on the US Billboard Hot 100 charts. According to the record’s sound engineer, Michael made Mick Jagger do vocal scales for over an hour before they started to record.

Favorite Moment: Those last 20 seconds! It is simultaneously the sexiest and most sexually confusing moment on any song I’ve ever heard.

You Might Also Like:

#2 – Centipede

#3 – Say Say Say

#4 – Tell Me I’m Not Dreamin’ (Too Good To Be True)

#5 – Farewell My Summer Love

#6 – Somebody’s Watching Me

Michael Jackson at his best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

NUMBER 2 – CENTIPEDE: THE BEST MICHAEL JACKSON SONGS OF 1984

Michael-And-His-Older-Sister-Rebbie-michael-jackson-31713447-283-309The second greatest Michael Jackson song released in 1984 is . . . Centipede by Rebbie Jackson, written and produced by Michael Jackson. Are we beginning to see a theme evolving on this countdown? So far Michael’s greatest songs of 1984 include a chorus sung on the record of a childhood friend, a duet with an older brother, a featured music video cameo for a sister and now, at number 2, an R&B /pop classic written for the eldest Jackson sibling, Rebbie.

In 1984  Michael Jackson emerged as a superstar solo artist but, in many ways, he was still laying claim to his role as a member of the Jacksons (the family and the group). Did Michael plan to continue to collaborate with the members of his clan ( the way Prince worked would work with The Time, Sheila E. , The Family, Apollonia and Vanity 6, etc)? Or was this his year of bestowing parting gifts? Was he giving his family one last brush of his Midas touch before ascending further into his identity as a solo artist?

centipedeMaybe Michael wasn’t even sure, but whatever the motivation he succeeded in writing and producing a sexy, slinky pop tune that only seems to get better with age. Play this song within earshot of any Gen X’er and you’re bound to induce involuntary exclamations of, “Ohhhhhh this was my jam!!!”

Good for Rebbie! Record one indelible hit, exit out of the spotlight and go on to become ‘the Marilyn Munster’ of the Jackson clan.

 

Just the Facts: It’s a family affair. Michael and Latoya sing backing vocals on the song (as well as The Weather Girls). “Centipede” reached number 4 on the R&B charts and went up to 24 on the pop charts.

Favorite Moment: 1:50 into the video Rebbie delivers a great MJ impressions when she strikes a classic Jackson pose and sings, “Don’t You Know!”

Also – she shoots lighting bolts from her palms. Hundreds of them!

You Might Also Like:

#3 – Say Say Say

#4 – Tell Me I’m Not Dreamin’ (Too Good To Be True)

#5 – Farewell My Summer Love

#6 – Somebody’s Watching Me

Michael Jackson at his best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

NUMBER 3 – SAY SAY SAY: THE BEST MICHAEL JACKSON SONGS OF 1984

And as Casey Kasem would say . . .the countdown continues. The 3rd greatest Michael Jackson Song from 1984 is  . . .

Number 3 – Say, Say, Say by Paul McCartney and Michael Jackson

Joining me to discuss this song is Cutie Pie. Please make sure to check out her blog – All Things Michael! for a comprehensive and passionate tribute to the King of Pop.

First of all,  I will admit that I’m playing a little loose with chronology by including this song on the list. “Say, Say, Say” was released in October of 1983 BUT during the first week of January 1984 the song was sitting at the top of the pop charts. When the year begins with “Mac” and “Jack” at number one, you know you’re in for a great (the greatest) year of pop music.

paul-mccartney-michael-jacksonThis song is all about pedigree. A Jackson (THE Jackson) and a Beatle team up and record a song at Abbey Road studios. I imagine there was a lot of pressure on this song to be a mind-blowing, life changing, world peace creating masterpiece.  I love the fact that instead of attempting to create something that sounds like the confluence of pop genius the duo crafted an easy, breezy mid tempo tune.

Cutie Pie has seen my complete list of 6 favorite MJ songs from 1984 and I believe this is her favorite.

“I love the collaboration of Michael and Paul.  Paul McCartney is my favorite Beatle.  I loved Linda (god rest her soul) as well.  This song is another example of the light, fun hearted side of Michael. I like the timing and the beat of the song as well as the harmonica.”

And both Sweetie Pie and I also love the ‘short film’ that accompanied the song. The fact that Paul and Michael allow themselves to be so goofy makes the video feel so extraordinarily cool. In late ’83 and early ’84 I watched this video every chance I could get – and since this was a cross over hit (aka equally loved by people both Black & White)  – I was able to see it on Friday Night Videos and Ralph McDaniels’ Video Music Box.

Just the Facts: Jackson stayed with Paul and Linda while recording this song. It was during this visit that Paul told Michael about the value of owning song catalogues. Jackson took this advice to heart and mind and later purchased the Beatles catalogue.

Favorite Moment: Latoya’s cameo! If casting your sister as a love interest in your music video is wrong, I don’t want to be right.

You Might Also Like:

#4 – Tell Me I’m Not Dreamin’ (Too Good To Be True)

#5 – Farewell My Summer Love

#6 – Somebody’s Watching Me

Michael Jackson’s Thriller: Let the Truth Unfurl Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

 

THE BEST MICHAEL JACKSON SONGS OF 1984: NUMBER 4 – TELL ME I’M NOT DREAMIN’ (TOO GOOD TO BE TRUE)

Michael-and-JermaineTo commemorate the 5th anniversary of Michael Jackson’s passing I’m posting my 6 Favorite Post-Thriller Michael Jackson Releases from 1984 (very specific – I know – but the list fits perfectly within the theme of this blog and the focus of my obsessions).

These are the best songs either sung, written or produced by MJ that came out in the great (greatest) year of pop.

Joining me to discuss today’s song is Cutie Pie, the author of my absolute favorite Michael Jackson blog – All Things Michael!

Coming up today . . .

#4 TELL ME I’M NOT DREAMIN’ (TOO GOOD TO BE TRUE) By Jermaine Jackson and Michael Jackson

If you’ve never heard of this song or if you only have the flicker of a vague memory I need you to stop reading and do the following:

1) Hit ‘play’ on the youtube link below.

2) Turn the volume of your phone/tablet/computer way up (pump her booo, pump her!)

3) While listening, stand-up and dance and perform backing vocals as if you were Randy or Marlon or Tito joining your brothers Jermaine and Michael for a command performance.

4) Repeat if necessary.

If you followed those steps you just shared my experience of re-discovering this song after a couple of decades of forgetting it ever existed. There’s much to love about this record and Cutie Pie agrees! She calls it, “a beautiful collaboration between the two brothers. Their harmonies are strong and smooth.” I’d like to imagine the two of them in the recording studio falling into old rhythms and pulling a lifetime of experience and habits together to make this song.

So if this song is so good – why didn’t it become a hit? Cutie Pie reminded me that the song was never officially released as a single because of legal issues between Michael’s label and Jermaine’s label. The song was only on the B-side of Jermaine’s single, “Do What You Do” but still received quite a bit of airplay.

Sadly, since it wasn’t an official single the brothers never had the chance to make a video. THAT is a tragedy! If Cutie Pie had the power to travel back in time and hire a director for the video that never was she says she’d pick, “Bob Giraldi because Michael seemed to work well with him. He directed “Beat It,” “Say, Say, Say,” and the infamous Pepsi Commercial.  Joe Pytka is another good director that Michael worked well with. He directed “The Way You Make Me Feel,” “Dirty Diana,” “Heal the World” and the Pepsi Commercial called “The Chase” during the Bad Era.”

Someone get Cutie Pie a time machine, I think she’d use it very responsibly!

Just the Facts: The song was nominated for a Grammy for Best Performance by a Duo or Group.

Favorite Moment: The fact that you don’t hear Michael’s voice by itself until 1:27 into the song. That’s a nice bit of younger sibling/bigger star generosity.

You Might Also Like:

#5 – Farewell My Summer Love

#6 – Somebody’s Watching Me

Michael Jackson at His Best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

Michael Jackson: Now & Then

THE BEST MICHAEL JACKSON SONGS OF 1984: NUMBER 5 – FAREWELL MY SUMMER LOVE

To commemorate the 5th anniversary of Michael Jackson’s passing I’m posting my 6 Favorite Post-Thriller Michael Jackson Releases from 1984 (very specific – I know – but the list fits perfectly within the theme of this blog and the focus of my obsessions).

These are the best songs either sung, written or produced by MJ that came out in the great (greatest) year of pop. Coming up today . . .

MJ 73#5 Farewell My Summer Love.

In 1984 everything and anything associated with Michael Jackson turned to gold (or platinum) so it’s no coincidence that in May of that year Motown ‘found’ this ‘lost track’ in its archives and released it. The label used existing Jackson vocals, originally recorded a decade earlier, and added new musical tracks. Hmmmm – a record label crafts a new release from old recordings completely without Jackson’s permission . . .  why does this seem so familiar? Hmmm.

Ok – that’s the last bit of sarcasm you’ll hear from me in this post. Although the label’s intent was to cash in – the effort resulted in the release of one of the sweetest, most tender songs of the summer. When I researched and listened to this song earlier this week I had an equally sincere realization. It occurred to me that I was the same age in 1984, when I heard first heard this song, that Michael was when he originally sang it. And, as it happens, the Spring/Summer of 1984 marked the first time I fell in love. So I’m going to ignore the crass commercialism and connect to the innocent, bittersweet (10% bitter, 90% sweet) vibe of the song.

We should also be thankful that Jackson’s voice sounds so good in this song. Imagine what it would have been like if Michael’s voice had not made the transition from childhood prodigy to adult SINGER. But listen closely and you can hear that successful transition from boy to young man in so many of the notes he hits on this record. (Sadly I did not make the same successful transition; thus my 5th grade star turn as the King in The King and I was my last great public vocal performance).

Favorite Moment:

Ten seconds in, right after the piano intro, Michael’s ‘woooowooowooooo’ is pure joy!

Favorite Lyric: 

 Bye Bye

Don’t Turn Around

You Might See Me Cry

You might also like:

#6 – Somebody’s Watching Me

Michael Jackson at His Best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

Michael Jackson: Now & Then

THE BEST MICHAEL JACKSON SONGS OF 1984: NUMBER 6 – SOMEBODY’S WATCHING ME

He ain't heavy, he's Rockwell

He ain’t heavy, he’s Rockwell

The world couldn’t get enough of Michael Jackson in 1984. Even after the constant radio airplay and video rotation generated by Jackson’s 1983 pop masterwork, Thriller; we still wanted more. And Michael delivered. Instead of taking a break after the insane success of Thriller – Michael Jackson ran a victory lap (pun intended) in 1984.

To commemorate the 5th anniversary of his passing I’m going to post my 6 Favorite Post-Thriller Michael Jackson Releases from 1984. These are the songs either sung, written or produced by MJ that came out in the great (greatest) year of pop.

Read here to see why I think 1984 was such a pivotal year for Jackson.

#6 Somebody’s Watching Me by Rockwell. Chorus vocals by Michael Jackson.
Joining me to discuss this song is Cutie Pie, the author of my absolute favorite Michael Jackson blog – All Things Michael!

Let’s all agree that without Michael this song would not be a hit. It probably wouldn’t exist.  The verses, sung by Rockwell, are fun in a tongue-in-cheek/high quality novelty song kind of way. But then the chorus kicks in and you hear that unmistakable alto delivering yet another unforgettable melody and you think you might be listening to a great B-side from Off the Wall.

One of the reasons I really like this song is because it illustrates Michael Jackson’s loyalty. Jackson and Rockwell (otherwise known as Kennedy William Gordy aka Berry Gordy’s son) were childhood friends. I imagine there were hundreds of wanna be pop stars who were clamoring for a chance to collaborate with Michael in 1984. But Michael chose to sing on the song that would turn out to be his childhood friend’s only hit.

Cutie Pie agrees that Michael makes the song work. “I loved this song the minute I heard it and it’s mostly because of Michael’s vocals.” She also informed me that, “Jermaine (Jackson) is singing background on this song as well as the duo The Weather Girls.”

And despite the fact that this is officially a Rockwell song, Cutie Pie points out that the theme of constant observation, ” . . . could also apply . . . to Michael as he never had any privacy from the press or his fans.”

And finally Cutie Pie makes a great point that this song tied into the themes of George Orwell’s 1984. Indeed!

“Big Brother is Watching . . . Rockwell!”

 Just the Facts: Somebody’s Watching Me went to #2 on the US and UK pop charts and stayed at number 1 on the R&B charts for 5 weeks.

rockwell showerBest Thing About the Video: Without hesitation or guilt I will state that Rockwell gives good shower scene.

Coming up tomorrow . . .  my 5th Favorite Michael Jackson Release from 1984.

You Might Also Like:

#1 – State of Shock

#2 – Centipede

#3 – Say Say Say

#4 – Tell Me I’m Not Dreamin’ (Too Good To Be True)

#5 – Farewell My Summer Love

Michael Jackson at his Best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2