Tag Archives: POP CULTURE

THE BEST MICHAEL JACKSON SONGS OF 1984: NUMBER 5 – FAREWELL MY SUMMER LOVE

To commemorate the 5th anniversary of Michael Jackson’s passing I’m posting my 6 Favorite Post-Thriller Michael Jackson Releases from 1984 (very specific – I know – but the list fits perfectly within the theme of this blog and the focus of my obsessions).

These are the best songs either sung, written or produced by MJ that came out in the great (greatest) year of pop. Coming up today . . .

MJ 73#5 Farewell My Summer Love.

In 1984 everything and anything associated with Michael Jackson turned to gold (or platinum) so it’s no coincidence that in May of that year Motown ‘found’ this ‘lost track’ in its archives and released it. The label used existing Jackson vocals, originally recorded a decade earlier, and added new musical tracks. Hmmmm – a record label crafts a new release from old recordings completely without Jackson’s permission . . .  why does this seem so familiar? Hmmm.

Ok – that’s the last bit of sarcasm you’ll hear from me in this post. Although the label’s intent was to cash in – the effort resulted in the release of one of the sweetest, most tender songs of the summer. When I researched and listened to this song earlier this week I had an equally sincere realization. It occurred to me that I was the same age in 1984, when I heard first heard this song, that Michael was when he originally sang it. And, as it happens, the Spring/Summer of 1984 marked the first time I fell in love. So I’m going to ignore the crass commercialism and connect to the innocent, bittersweet (10% bitter, 90% sweet) vibe of the song.

We should also be thankful that Jackson’s voice sounds so good in this song. Imagine what it would have been like if Michael’s voice had not made the transition from childhood prodigy to adult SINGER. But listen closely and you can hear that successful transition from boy to young man in so many of the notes he hits on this record. (Sadly I did not make the same successful transition; thus my 5th grade star turn as the King in The King and I was my last great public vocal performance).

Favorite Moment:

Ten seconds in, right after the piano intro, Michael’s ‘woooowooowooooo’ is pure joy!

Favorite Lyric: 

 Bye Bye

Don’t Turn Around

You Might See Me Cry

You might also like:

#6 – Somebody’s Watching Me

Michael Jackson at His Best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

Michael Jackson: Now & Then

THE BEST MICHAEL JACKSON SONGS OF 1984: NUMBER 6 – SOMEBODY’S WATCHING ME

He ain't heavy, he's Rockwell

He ain’t heavy, he’s Rockwell

The world couldn’t get enough of Michael Jackson in 1984. Even after the constant radio airplay and video rotation generated by Jackson’s 1983 pop masterwork, Thriller; we still wanted more. And Michael delivered. Instead of taking a break after the insane success of Thriller – Michael Jackson ran a victory lap (pun intended) in 1984.

To commemorate the 5th anniversary of his passing I’m going to post my 6 Favorite Post-Thriller Michael Jackson Releases from 1984. These are the songs either sung, written or produced by MJ that came out in the great (greatest) year of pop.

Read here to see why I think 1984 was such a pivotal year for Jackson.

#6 Somebody’s Watching Me by Rockwell. Chorus vocals by Michael Jackson.
Joining me to discuss this song is Cutie Pie, the author of my absolute favorite Michael Jackson blog – All Things Michael!

Let’s all agree that without Michael this song would not be a hit. It probably wouldn’t exist.  The verses, sung by Rockwell, are fun in a tongue-in-cheek/high quality novelty song kind of way. But then the chorus kicks in and you hear that unmistakable alto delivering yet another unforgettable melody and you think you might be listening to a great B-side from Off the Wall.

One of the reasons I really like this song is because it illustrates Michael Jackson’s loyalty. Jackson and Rockwell (otherwise known as Kennedy William Gordy aka Berry Gordy’s son) were childhood friends. I imagine there were hundreds of wanna be pop stars who were clamoring for a chance to collaborate with Michael in 1984. But Michael chose to sing on the song that would turn out to be his childhood friend’s only hit.

Cutie Pie agrees that Michael makes the song work. “I loved this song the minute I heard it and it’s mostly because of Michael’s vocals.” She also informed me that, “Jermaine (Jackson) is singing background on this song as well as the duo The Weather Girls.”

And despite the fact that this is officially a Rockwell song, Cutie Pie points out that the theme of constant observation, ” . . . could also apply . . . to Michael as he never had any privacy from the press or his fans.”

And finally Cutie Pie makes a great point that this song tied into the themes of George Orwell’s 1984. Indeed!

“Big Brother is Watching . . . Rockwell!”

 Just the Facts: Somebody’s Watching Me went to #2 on the US and UK pop charts and stayed at number 1 on the R&B charts for 5 weeks.

rockwell showerBest Thing About the Video: Without hesitation or guilt I will state that Rockwell gives good shower scene.

Coming up tomorrow . . .  my 5th Favorite Michael Jackson Release from 1984.

You Might Also Like:

#1 – State of Shock

#2 – Centipede

#3 – Say Say Say

#4 – Tell Me I’m Not Dreamin’ (Too Good To Be True)

#5 – Farewell My Summer Love

Michael Jackson at his Best in 1984

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

MICHAEL JACKSON AT HIS BEST: POST THRILLER

Michael-Jackson-The-Jacksons-VictorY-Tour-1984-michael-jackson-17890123-547-800Imagine the pressure an artist feels attempting to follow-up the success of a lifetime. Imagine: You’re Ralph Ellison trying to write the next novel after Invisible Man. You’re Orson Welles planning your next film after Citizen Kane. Now imagine it’s late 1983 and your Michael Jackson. You’ve just recorded and released the most successful pop album of all time. What do you do?

No one would have blamed Michael if he had taken a very long hiatus to enjoy the spoils of his great success. But something tells me Michael didn’t have a choice. OF COURSE he was immediately back in the studio writing, producing, recording and performing; inevitably generating some of the best singles of 1984. I think the most interesting thing about Michael’s post Thriller output is the fact that so many of his recording were collaborations. At one point I thought he was going the way of Prince and creating a family of protégés. But Jackson’s prolific collaborative phase was primarily confined to 1984, the year immediately following Thriller’s chart domination.

To commemorate the sad anniversary of Michael Jackson’s death this week I’m going to countdown my 6 Favorite Post-Thriller releases from 1984.

Coming up  . . . the 6th Best Post Thriller Song by Michael Jackson. And the 5th Best Song. But first, let’s look back at the album that set the standard. Below you can check out earlier posts about Jackson’s seminal album, Thriller:

Michael Jackson’s Thriller: Let the Truth Unfurl: Part 1

Michael Jackson’s Thriller: Let the Truth Unfurl Part 2

Calling on all Michael Jackson fans

mj84I’m planning a small tribute to Michael Jackson next week, throughout the week, to commemorate the anniversary of his death ( I can’t believe it’s been 5 years). I’m looking for some MJ fans to participate by sharing their thoughts on a few of the specific songs I’ll be posting about (WHICH songs? Ah – that’s a secret for now)

Please leave a comment or shoot me an email if you’re interested.

Thanks!

JIMMY SOMMERVILLE: NOW & THEN: REVISITING “SMALLTOWN BOY”

sommervilleI recently posted about the impact of Bronski Beat’s first single, “Smalltown Boy.” The record is everything a great pop song should be – danceable, meaningful and unique.

In order to celebrate the 30th anniversary of this single, Bronski Beat’s lead singer, Jimmy Sommerville, has posted a video of a live, acoustic performance of the song. The result? Let’s just say that everything has stood the test of time. Sommerville’s voice still sounds amazing. His miraculous high notes could give Mariah Carey a run for her money! And the song feels just as poignant now as it did in 1984. Enjoy his new performance and then take a look at the original video.