Tag Archives: Mariah Carey

JIMMY SOMMERVILLE: NOW & THEN: REVISITING “SMALLTOWN BOY”

sommervilleI recently posted about the impact of Bronski Beat’s first single, “Smalltown Boy.” The record is everything a great pop song should be – danceable, meaningful and unique.

In order to celebrate the 30th anniversary of this single, Bronski Beat’s lead singer, Jimmy Sommerville, has posted a video of a live, acoustic performance of the song. The result? Let’s just say that everything has stood the test of time. Sommerville’s voice still sounds amazing. His miraculous high notes could give Mariah Carey a run for her money! And the song feels just as poignant now as it did in 1984. Enjoy his new performance and then take a look at the original video.

Let’s Hear it for the Boy by Deniece Williams: Number One this Week in 1984

DW - LHIFTBDeniece Williams’ “Let’s Hear it for the Boy” was number one on the Pop, R&B and Dance charts in June 1984. It was certified platinum and nominated for the Oscar for Best Song. I hadn’t thought of this song in years and had forgotten that it was such a monster hit. As I considered writing about it for this blog I wondered if its success was solely due to the fact that it was on the Footloose soundtrack. I also wondered if this 1980’s bubble gum pop song was on par with some of the other songs I’ve written about on this blog (songs by Michael Jackson, R.E.M., Cyndi Lauper, Duran DuranTalking Heads, and Cameo). Recently, I sat down to watch the video for the first time in at least a decade.  I immediately began tapping my foot, singing along and feeling happy and at ease (I’m now pretty sure the FDA has designated LHIFTB as a mild anti-depressant). But does this mean it’s a GREAT pop song? Let’s try to figure it out. Watch the video and then read my 4 favorite things about the song aka “Let’s hear it for ‘Let’s Hear it For the Boy.’ Let’s see if we reach a conclusion by the end of this post.

deneice-williams-flashback.img4. The Voice. Deniece Williams has a four-octave range. In addition to being able to shatter glass with her voice (people can do that, right?) she’s able to imbue some pretty simple lyrics with a great sense of emotion and meaning. Towards the end of the song (around 3:07) she does something pretty special with the word ‘baby’. Before Whitney and before Mariah; Deniece Williams was adding extra syllables to words and performing feats of Olympian vocal gymnastics. But you never get the feeling she’s showing off. Instead – you just get the sense she’s feeling the emotions described in the song and helping the listener to feel them as well. In this case – she’s asking us, “So you want to know how my man makes me feel? You want me to convey it in one word? Ok – he’s my “Babeeeeeeeeeeeeeyeeeeeheeeeyeeheeee!”

3.  The Boy. So tell me . . . why does she love this guy? He’s inarticulate, he’s a poor dress, he’s not romantic, he sings off-key, etc, etc, etc. This boy has set the bar pretty low but still, he’s inspired someone to sing (in 4 different octaves) about their love for him someone . Have no fear underachievers – love. is. possible.    

2. Football Half Shirts. Please refer to the music video ( 2:21 – 2:36).

Footloose1. Good Company. 1984 was a great year for pop music soundtracks. In addition to Williams’ hit single, the Footloose soundtrack also contained Kenny Loggins’ title track and the Shalamar hit, “Dancing in the Sheets.” Other great pop soundtracks from 1984 included Ghostbusters, Against All Odds, and of course, Purple Rain. Deniece was at the beginning of a big, big trend.

So – what do you think? Is “Let’s Hear it for the Boy,” a great song in a great (the greatest) year of pop music? Tell me what you think in the comments.

Number One this Week in 1984: Against All Odds (Take a Look at Me Now) by Phil Collins

Thirty years ago this week Phil Collins scored the number one pop song in the country with “Against All Odds (Take a Look at Me Now),” a song he’d written for the film Against All Odds. There’s no denying this is a great ballad and also one of the great soundtrack tunes from a year that produced many amazing songs from films (including Ghostbusters, Footloose, Sixteen Candles, Breakin’, Eurythmics’ 1984 (For the Love of Big Brother), and of course Purple Rain). I liked the song but never developed a real love for it. I wanted to give the song its due so I invited my friend Caroline to share her very passionate feelings for it. In addition to being a Phil Collins devotee, Caroline is also the author of the hysterical blog  Cringeworthy Stuff from My Journal. Prepare for the most emotional post this blog has ever seen!

Sean: Caroline, what are your memories of this song?

Caroline: I know it’s from a movie (Against All Odds) but I’ve not seen this movie. I was only 11 when the song came out but I absolutely loved it – and still do. I really think it’s a beautiful song. I don’t know if it stirred something in my pre-pubescent self – but of course I had no grasp of what the song was really about. I knew it was about love – in the abstract. I knew it was something about someone leaving you. I knew it was devastating. That was it. But I really thought that it was an emotionally wrought song and Phil Collins’ vocals were amazing and … this is all so embarrassing to admit!

Sean: So what’s your favorite moment of the song?

Caroline: It has to be towards the end when it sort of crescendos into that very passionate moment where he says, ‘Take a GOOD look at me now,’ instead of just ‘take a look at me now,’ as he has previously.

Sean: That ‘GOOD,” means he means it!

Caroline: He means it this time, with FEELING! And then it’s like a huge emotional moment but then it just goes back into the lilting piano of the beginning, very soft, very calm. I like the way it resolves. I love that moment. It’s very powerful

Sean: I can tell this is an emotional journey for you, both as an 11 year old girl and as a grown woman.

Caroline: And I don’t even know why. I remember seeing the video which of course had clips from the movie . And something very dramatic was going on, I couldn’t tell you what exactly.

Sean: I’ve never seen the movie either but based on the video i sense there’s infidelity. I also sense that at the end of the film someone drives into a garbage truck.

Caroline: A dramatic death scene perhaps! Very dramatic. My only beef with the song when I was younger was that I felt it should be longer. I felt there was a verse missing. As a child I remember thinking after the bridge there should be one more moment and I was sad it wasn’t longer – but today when I was listening to it it felt perfect at 3 and a half minutes.

Sean: For some reason I remember it being 12 minutes long. Ok now be honest with me – did you have a poster of Phil Collins on your bedroom wall?

Caroline: Surprisingly no -I did love the song, I did love many other Phil Collins songs but, however, I did not find him cute. Unlike Huey Lewis who did feature prominently on my wall, I did not have a poster of Phil Collins.

Sean: We’re going to deal with Huey Lewis AND The News in a future post. But back to Phil – no insult to him – but he is not the sexiest pop star – so applause to him for having number one songs without being a looker.

Caroline: Exactly – and I think he was genuinely a good singer.

Sean: A lot of people have covered this song. Mariah Carey famously. Have you heard the Mariah version?

Caroline: No – but I don’t know if Mariah can compete with Phil on this one. You don’t mess with the classics.

Note: I later played Mariah’s version for Caroline who had this to say: “Oooh she does a good job!! But that’s no shock- she’s Mariah, after all. I like hearing a woman sing it. But she doesn’t do the end justice like Phil did!!!! Too screechy.”)

Sean: This song knocked Kenny Loggins’ “Footloose” out of the number one spot back in April, 1984. Do you remember that? How did you feel about it?

Caroline: I did like “Footloose” a lot but it did not have the emotional pull for me that “Against All Odds” did.

Sean: I envision 11 year old Caroline sitting in her bedroom listening to Casey Kasem’s Top 40 and dancing for joy when he announced “Against All Odds” stole the number one spot from “Footloose”.

Caroline: Absolutely – there may have even been tears. There was definitely a dash to the boom box to try to capture it on tape. And It stays with me as a song I just love. I don’t hear it very often anymore. I don’t even know if I can tell you why –  all I can do is just tell you I love it, I think it’s a beautiful song and it’s obviously still resonating with me today.

Sean: I think you’re tearing up right now. That’s a fact. Thank you for talking with me and sharing your thoughts about a song I could not muster the passion or emotion to write about myself. Maybe I’m dead inside, I don’t know. Thank you Caroline

Caroline: No problem. My pleasure. I look forward to our chat on Huey Lewis.